Salvador dali exhibition at the faberge museum. Exhibition "Salvador Dali

According to the organizers of the exhibition, "Salvador Dali. Surrealist and Classic " will become the largest exposition of the works of the Spanish artist in St. Petersburg. It will exhibit 150 paintings and graphic works by Dali, provided by the foundation "Gala - Salvador Dali" and other museum and private collections.

Landscape purchased by the Gala - Salvador Dali Foundation for a record price

Among the surreal landscapes of 1934-1937 presented at the exhibition, it stands out "Landscape with Mysterious Elements" written by the artist in 1934. In 2011 the fund "Gala - Salvador Dali" bought it from an anonymous collector for a record amount for himself - $ 11.14 million. "Allegory of painting" Jan Vermeer, whom Dali called "the all-encompassing surrealist" and whose work he admired all his life. V "Landscape with mysterious elements" the great Spaniard put the painting Vermeer in the foreground, and himself, depicted as a little boy in a sailor's suit and accompanied by a nanny, in the second.

Salvador Dali. "Landscape with Mysterious Elements"

press materials of the Faberge Museum

Illustrations for the autobiography of Benvenuto Cellini

"Surrealism is me!" - Salvador Dali declared about his place in this direction of art. However, in 1936 he moved away from him, starting to defend the values ​​of the Renaissance. In 1945, Dali, for example, created a series of illustrations for the autobiography of the Florentine sculptor and painter Benvenuto Cellini, considered one of the most prominent representatives of the Renaissance. These works, executed in ink and watercolors, are also presented at the St. Petersburg exhibition.

Illustrations by Salvador Dali for the autobiography of Benvenuto Cellini

press materials of the Faberge Museum

Illustrations for "The Divine Comedy" by Dante Alighieri

What does Dante's hell look like as seen by Salvador Dali? The answer to this question is also given by Faberge Museum... In 1950 State Polygraphic Institute of Italy ordered the artist a series of illustrations for "Divine Comedy" Dante Alighieri, dedicated to the 700th anniversary of the poet. Dali's work resulted in 102 drawings made in various techniques using watercolors, gouache and ink. Subsequently, the order was canceled: the Italian public expressed dissatisfaction with the fact that the work of the great Italian poet was entrusted to illustrate the Spaniard. However, Salvador Dali did not give up and turned to the French publisher Joseph Fauré for help, who, in turn, acted as an intermediary between the artist and the publishing house. Les heures claires who eventually released a book with these illustrations. 100 drawings from this series will be presented at the exhibition.

Illustrations by Salvador Dali for The Divine Comedy by Dante Alighieri

press materials of the Faberge Museum

Dedication to Michelangelo

After the death of his wife and muse Gala in 1982, Salvador Dali began to think more often about the afterlife and immortality and wrote a number of works interpreting the classical images of another Renaissance master - Michelangelo Buonarotti. Inspired by the iconic works of Michelangelo, Dali created his own based on them, such as “Geological Echo. Pieta " and "Heads of Giuliano Medici" Michelangelo. Some of the works of this period will be presented in Russia for the first time.

Salvador Dali. "Untitled", 1982. Based on the sculpture "Giuliano Medici" by Michelangelo

press materials of the Faberge Museum

Exhibition “Salvador Dali. Surrealist and Classic ”at the Faberge Museum will be open from April 1 to July 2, 2017.

And it's not a joke! On March 31, 2017, the Faberge Museum on the Fontanka River embankment will host the opening day of the exhibition “Salvador Dali. Surrealist and Classic ”. An exposition of this scale will be held in St. Petersburg for the first time.

An impressive result of the collaboration between the Faberge Museum and the Gala - Salvador Dali Foundation in Figueres (Catalonia, Spain) was the agreement to temporarily grant the first 150 paintings by Dali, some of which will visit the northern capital for the first time. This was reported on the official website of the Faberge Museum.

Visitors to the upcoming exhibition will be able to trace the work from the early dreamlike surreal landscapes of the 1930s to the subjects of classical European art in the 80s.

The exhibition curators paid particular attention to Salvador Dali's interpretations of masterpieces by Cellini, Michelangelo and other masters of the Italian Renaissance. And the pearl of the exposition will be 100 illustrations of Dante's Divine Comedy, made by Dali in different techniques in 1950 by order of the Italian State Printing Institute in honor of the 700th anniversary of Dante.

The main moment of the first part of the title of the exhibition will most likely be Landscape with Mysterious Elements (1934), acquired by the Gala - Salvador Dali Foundation from a private collector relatively recently, in 2011, and for a fabulous sum of more than 11 million dollars. The picture shows the favorite artist of Salvador Dali - painting a landscape. Dalí called Vermeer his mentor, “the all-encompassing surrealist,” and has always admired his work.

Salvador Dali. "Landscape with Mysterious Elements" (1934)

Dali decided to devote himself entirely to the values ​​of the Renaissance after his departure from the Surrealists in the early 1940s. In the course of this search, Dali creates illustrations for the autobiography of the representative of the Florentine Renaissance, Benvenuto Cellini, in which he freely interprets the text of the book. These graphics, executed in watercolors and ink on paper, will also be on display at the Salvador Dali. Surrealist and Classic ”at the Faberge Museum.

Open the veil of secrecy over recent years life and work of Salvador Dali his interpretation of the masterpieces of Michelangelo. In particular, the work “Geological Echo. Pieta ”(1982), depicting Mary and Christ in a minimalist landscape of Cadaques, testifies to the longing for his beloved wife, who died in the same year.

Exhibition “Salvador Dali. Surrealist and Classic ”at the Faberge Museum will run from April 1 to July 2, 2017.

The museum is open daily from 10:00 to 20:45 at St. Petersburg, Fontanka river embankment, 21.

The full ticket price is 450 rubles, the reduced price is 200 rubles.

SALVADOR DALI. SURREALIST AND CLASSIC

Faberge Museum in St. Petersburg

On March 31, 2017, the Faberge Museum will host the opening of the exhibition “Salvador Dali. Surrealist and Classic ”. For the first time in St. Petersburg, such a large-scale exhibition will be shown, including more than 150 paintings and graphic works by Dali, provided by the Gala - Salvador Dali Foundation in Figueres (Catalonia, Spain), as well as other museum and private collections. The exhibition allows us to trace the artist's career, from the surrealist works that made him famous in the 1930s and ending with his appeals to the subjects of classical European art in the 1980s. Particular emphasis is placed on the comprehension of Salvador Dali's heritage of the geniuses of the Italian Renaissance - Michelangelo and Cellini, as well as Dante's Divine Comedy.

Salvador Dali, one of the main artists who determined the development of art in the 20th century, was infinitely paradoxical, like the 20th century itself. Instantly recognizable and unlike anyone else, he forever went down not only in history visual arts but also in the history of design, fashion, theater, cinema and literature. He managed to reflect in his work almost all the great ideas and contradictions of his time. The exhibition at the Faberge Museum provides an opportunity to touch the wonderful diversity of Dali's work, and to feel the inner kinship of modernism and classics, contained in his works.

The earliest works presented at the exhibition are surreal landscapes of 1934-1937. Dali depicts the desert landscapes of Ampurdan and introduces various figures and elements into them. Their mysterious combinations are reminiscent of dreams, and perhaps they reveal to us the content of the artist's unconscious, which he, through his "paranoid-critical method", frees from the yoke of logic and reason and transfers it to painting.

The exhibition will feature one of the most interesting works this period - "Landscape with Mysterious Elements" (1934) - a recent and record-high acquisition of the Gala Salvador Dali Foundation, it was bought from a private collector in 2011. In this work, Dali originally quotes the famous masterpiece "The Art of Painting" by Vermeer. Dali admired the personality and work of the Dutch painter throughout his life, putting him in the first place in his scandalous comparative table the importance of artists and even called it "an all-encompassing surrealist." Paying tribute to his "mentor", Dali often portrayed Vermeer in his paintings. So in "Landscape with Mysterious Elements" he places him in the foreground of the Ampurdan Valley permeated with an amazing, unearthly light, and himself, still quite a child dressed in a sailor's suit, accompanied by a nanny - somewhere in the distance. Fragments of reality - the sky, cypresses, the ideal Ampordani village of Portligat - coexist in the picture with ghosts, shadows and fantastic nameless forms, giving the widest field for interpretation.

These and other iconic surrealistic images will continue to appear in Dali's works in the future, but over time they will begin to change their meaning. In the painting "In Search of the Fourth Dimension", written much later, in 1979, during the period of the artist's active experiments with stereoscopic and holographic images that can help find the third and fourth dimensions, which, according to Dali's logic, allow one to gain immortality, we see again its symbolism is white tunics, bread, cypresses, soft watches, but in a completely different context. In an attempt to unite space and time, Dali combines his own imagery with quotes from the canonical works of the Renaissance - Raphael's "School of Athens" and Perugino's "Handing over the keys to the Apostle Peter". However, Dali's interest in classical European painting itself appears much earlier.

Immediately after his break with the surrealists and beyond, in the early 1940s, Dali proclaims a return to classicism and advocates for the values ​​of the Renaissance. The artist's broad intellectual and creative interests do not fit into any of the current trends of that time, and really remind of the humanism of the Renaissance. In 1945 he created a series of illustrations for the autobiography of Benvenuto Cellini, one of the most famous representatives of the Florentine Renaissance. Dali freely interprets Cellini's text, providing maximum opportunities for his imagination. These illustrations, executed in watercolors and ink on paper, will be exhibited at the Faberge Museum.

Another large-scale project of Dali, aimed at comprehending the monuments of classical European art and literature, is his series of illustrations for Dante Alighieri's Divine Comedy, commissioned by the Italian State Polygraphic Institute on the occasion of Dante's 700th birthday. Dalí began this work in 1950 in the coastal village of Cadaqués and completed it two years later, completing 102 illustrations in various techniques using watercolor, gouache, sanguine and ink. Between 1959 and 1963, 100 of them were reproduced using the photo-engraving technique. All one hundred illustrations included in the final series and by now have become textbooks can be seen at the exhibition.

The exhibition will also feature paintings by Salvador Dali in the early 1980s and dedicated to another great master of the Renaissance - Michelangelo Buonarotti. Working with Michelangelo's plots, Dali shows great respect for tradition and the past, but at the same time does not hide his desire to surpass them through constant innovation and immersion in modernity. Several of these works were first shown to the public only last year at a thematic exhibition in Italy, and they will come to Russia for the first time. These works lift the curtain over the little-studied last years of Dali's life. The death of his only and beloved wife and muse Gala (Elena Dyakonova) in June 1982 becomes a strong blow for him and makes him increasingly think about the afterlife. Dali has a passionate interest in the topic of immortality and writes whole line works in which he interprets the classic images of Michelangelo with all the same irrepressible fantasy characteristic of him. In the famous work “Geological Echo. Pieta (1982) Dali embeds the figures of the Virgin Mary and Christ into the rocky landscape of the Gulf of Cadaqués, as if trying to find the divine in the earthly. And in a kind of artistic testament "Based on the" Head of Giuliano Medici "by Michelangelo" (1982), the artist combines all different stages symbols and techniques - the beauty of a classical profile, a mysterious, surreal landscape filled with strange figures, uses the effect of an optical illusion, as if summing up his creative quest. He also creates a whole series of works in which the images of the Medici Tombs, adorning the chapel of the dynasty of the main patrons of the Renaissance, become a majestic memorial for Gala and himself and grant them immortality, at least in the dimension of world art.

The exhibition is organized by the Cultural-Historical Foundation "Link of Times" and the Faberge Museum (Russia) in partnership with the Foundation "Gala - Salvador Dali" (Catalonia, Spain). The coordinator of the exhibition is the Mondo Mostre company (Italy). Exhibition curators: Monsé Ager, Director of the Dali Museums of the Gala - Salvador Dali Foundation and Thomas Clement Salomon, Researcher at Mondo Mostre.

The exhibition will run from April 1 to July 2, 2017. During the exhibition, the Faberge Museum is open every day, seven days a week, from 10-00 to 20-45.

Tickets for the exhibition can be purchased in advance at tickets.fsv.ru Currently, tickets for the period from 1.04 to 15.05 are on sale. Tickets for a later visit to the exhibition will go on sale on 10.04. The ticket price is 450 rubles, the discount ticket is 200 rubles.

Faberge Museum address: St. Petersburg, Fontanka river embankment, 21.

Exhibition “Salvador Dali. Surrealist and classic. " recommended for visitors over 18 years old.

For all questions

Museum address: St. Petersburg, Fontanka river embankment, house number 21.

The Faberge Museum hosts an exhibition “Salvador Dali. Surrealist and Classic ”, for the first time in St. Petersburg such a large-scale exposition, including more than 150 paintings and graphic works by Dali.

One of the central works of the upcoming exhibition is Landscape with Mysterious Elements, which the Gala - Salvador Dali Foundation acquired in 2011 for 7.8 million euros from a private collector who wished to remain anonymous.

The exhibition allows us to trace the artist's career, from the surrealist works that made him famous in the 1930s and ending with his appeals to the subjects of classical European art in the 1980s. Particular emphasis is placed on the comprehension of Salvador Dali's heritage of the geniuses of the Italian Renaissance - Michelangelo and Cellini, as well as Dante's Divine Comedy.

Salvador Dali, one of the main artists who determined the development of art in the 20th century, was infinitely paradoxical, like the 20th century itself. Instantly recognizable and unlike anyone else, he forever entered not only the history of fine art, but also the history of design, fashion, theater, cinema and literature. He managed to reflect in his work almost all the great ideas and contradictions of his time. The exhibition at the Faberge Museum provides an opportunity to touch the wonderful diversity of Dali's work, and to feel the inner kinship of modernism and classics, contained in his works.

The earliest works presented at the exhibition are surreal landscapes of 1934-1937. Dali depicts the desert landscapes of Ampurdan and introduces various figures and elements into them. Their mysterious combinations are reminiscent of dreams, and perhaps they reveal to us the content of the artist's unconscious, which he, through his "paranoid-critical method", frees from the yoke of logic and reason and transfers it to painting.

The exhibition will feature one of the most interesting works of this period - "Landscape with Mysterious Elements" (1934) - a recent and record-high acquisition of the Gala Salvador Dali Foundation, it was bought from a private collector in 2011. In this work, Dali originally quotes the famous masterpiece "The Art of Painting" by Vermeer. Dali admired the personality and work of the Dutch painter throughout his life, put him in the first place in his scandalous comparative table of the importance of artists and even called him "an all-encompassing surrealist." Paying tribute to his "mentor", Dali often portrayed Vermeer in his paintings.

So in "Landscape with Mysterious Elements" he places him in the foreground of the Ampurdan Valley permeated with an amazing, unearthly light, and himself, still quite a child dressed in a sailor's suit, accompanied by a nanny - somewhere in the distance. Fragments of reality - the sky, cypresses, the ideal Ampordani village of Portligat - coexist in the picture with ghosts, shadows and fantastic nameless forms, giving the widest field for interpretation.

These and other iconic surrealistic images will continue to appear in Dali's works in the future, but over time they will begin to change their meaning. In the painting "In Search of the Fourth Dimension", written much later, in 1979, during the period of the artist's active experiments with stereoscopic and holographic images that can help find the third and fourth dimensions, which, according to Dali's logic, allow one to gain immortality, we see again its symbolism is white tunics, bread, cypresses, soft watches, but in a completely different context. In an attempt to unite space and time, Dali combines his own imagery with quotes from the canonical works of the Renaissance - Raphael's "School of Athens" and Perugino's "Handing over the keys to the Apostle Peter". However, Dali's interest in classical European painting itself appears much earlier.

Immediately after his break with the surrealists and beyond, in the early 1940s, Dali proclaims a return to classicism and advocates for the values ​​of the Renaissance. The artist's broad intellectual and creative interests do not fit into any of the current trends of that time, and really remind of the humanism of the Renaissance. In 1945 he created a series of illustrations for the autobiography of Benvenuto Cellini, one of the most famous representatives of the Florentine Renaissance. Dali freely interprets Cellini's text, providing maximum opportunities for his imagination. These illustrations, executed in watercolors and ink on paper, will be exhibited at the Faberge Museum.

Another large-scale project of Dali, aimed at comprehending the monuments of classical European art and literature, is his series of illustrations for Dante Alighieri's Divine Comedy, commissioned by the Italian State Polygraphic Institute on the occasion of Dante's 700th birthday. Dalí began this work in 1950 in the coastal village of Cadaqués and completed it two years later, completing 102 illustrations in various techniques using watercolor, gouache, sanguine and ink. Between 1959 and 1963, 100 of them were reproduced using the photo-engraving technique. All one hundred illustrations included in the final series and by now have become textbooks can be seen at the exhibition.

The exhibition will also feature paintings by Salvador Dali in the early 1980s and dedicated to another great master of the Renaissance - Michelangelo Buonarotti. Working with Michelangelo's plots, Dali shows great respect for tradition and the past, but at the same time does not hide his desire to surpass them through constant innovation and immersion in modernity.

Several of these works were first shown to the public only last year at a thematic exhibition in Italy, and they will come to Russia for the first time. These works lift the curtain over the little-studied last years of Dali's life. The death of his only and beloved wife and muse Gala (Elena Dyakonova) in June 1982 becomes a strong blow for him and makes him increasingly think about the afterlife. Dali has a passionate interest in the topic of immortality and writes a number of works in which he interprets the classic images of Michelangelo with the same irrepressible fantasy characteristic of him.

In the famous work “Geological Echo. Pieta (1982) Dali embeds the figures of the Virgin Mary and Christ into the rocky landscape of the Gulf of Cadaqués, as if trying to find the divine in the earthly. And in a kind of artistic testament "Based on the" Head of Giuliano Medici "by Michelangelo (1982), the artist combines all the symbols and techniques characteristic of him at different stages - the beauty of the classical profile, a mysterious, surreal landscape filled with strange figures, uses the effect of optical illusion, as if summing up their creative searches.

He also creates a whole series of works in which the images of the Medici Tombs, adorning the chapel of the dynasty of the main patrons of the Renaissance, become a majestic memorial for Gala and himself and grant them immortality, at least in the dimension of world art.

Working hours:

• daily from April 1 to July 2, 2017 from 10:00 to 20:45.

Ticket prices:

• full - 450 rubles,
• preferential - 200 rubles.

Exhibition “Salvador Dali. Surrealist and classic. " recommended for visitors over 18 years old.

Pre-sale of tickets is open. For all questions dali@fabergemuseum.ru

Where: Faberge Museum, St. Petersburg

“Surrealism is me,” - with this famous phrase, Dali broke with André Breton and the surrealists in 1936, becoming the personification of this trend in art during his lifetime. "Greedy for dollars", he turned his name into a brand, becoming a kind of pop star from painting. Dali's works are regularly exhibited in the largest museums in the world, showing the Spanish master either as a painter or as an illustrator fashion magazines... This time, Dali's exhibition will be held at the Faberge Museum in St. Petersburg. First of all, it is devoted to how Dali mastered the heritage of Italian Renaissance artists. The exhibition was curated by Monsé Ager, Director of the Dali Museums of the Gala - Salvador Dali Foundation, and Thomas Clement Salomon, Researcher at Mondo Mostre. They shared with us how they worked on the concept and creation of the exhibition at the Faberge Museum.

“The exhibition has nothing to do with previous projects, we wanted to show Dali's later legacy and delve into an important iconographic element - the landscape. At the same time, we wanted to present Dali in a completely new way, weak and sick, but not losing the desire to create. "

Salvador Dali, "Landscape with Mysterious Elements", 1934

The Italian theme in Dali's work was first examined at an exhibition held earlier this year at the Palazzo Blu in Pisa. When asked what unites the two exhibitions, Monsé Ager replies: "The very idea united both projects, but in St. Petersburg we wanted to emphasize the surreal period and the presence of landscape throughout his artistic career." The conversation about this genre is not accidental - the exhibition will feature "Landscape with Mysterious Elements", acquired by the Foundation in 2011 from a private collector. Unlike other works where the artist captured the Catalan Ampourdan Valley, here Dali refers to the work of Jan Vermeer "The Art of Painting", better known as "The Artist's Workshop". Rethinking the art of the old masters was as normal for Dali as painting his own paintings - such works include Goya's Caprichos, Michelangelo's Pieta, and illustrations for Dante's Divine Comedy. But why is Vermeer so important? Ager answers this question with a quote from the artist's own book "50 Magical Secrets of Craftsmanship", where he directly states that he is ready to lose his left hand, just to see Vermeer for ten minutes at his easel.

"Dali considered Vermeer one of the greatest masters, he extolled his skill, inspiration, drawing, color and the authenticity of his work."

Salvador Dali, “Based on„ Giuliano Medici heads“ Michelangelo ", 1982. Salvador Dali, 1969. Photo:Gianni Ferrari / Cover / Getty Images

However, Vermeer was not the only artist whose talent was inspired by Dali. Among the 150 works, from the earlier canvases of the 30s to the late works of the 80s, there are also canvases referring to Michelangelo, Cellini, Raphael, Perugino. Art historians, critics and viewers continue to wonder why even the most avant-garde artists of the 20th century never stopped turning to the classical masters.

“The completely contemporary artist Dali wanted to belong to both tradition and the past at the same time. He was impressed by the old masters, the way they show reality from the outside and from the inside at the same time. "

The earliest works of this kind appear after a break with the surrealists in the 40s: in 1945 he creates illustrations for the autobiography of the sculptor Benvenuto Cellini, and in the 50s illustrates Dante's Divine Comedy in honor of the poet's 700th birthday. The illustrations, which later became textbooks, showed the main poem of the Renaissance through the eyes of our modern era.

Salvador Dali, Geological Echo. Pieta ", 1982

Dali's appeal to Italian art in the 80s after the death of his beloved and muse Gala becomes completely different. The works are filled with melancholy, the colors change, the strokes become coarser, and the love of painting is as important as the struggle to keep painting. During these years, Dali turns to Michelangelo, who has been important to him since his youth. Michelangelo, like Dali himself, is an example of a versatile artist capable of covering many disciplines.

Dali wants to become immortal and therefore relies on science, where he finds answers to eternal questions . In the work “Geological Echo. Pieta (1982), he places the familiar sculptures of Michelangelo in the rocky landscape of Cadaqués, combining the divine and the earthly essence and bringing his own innovation to the traditional plot. He presents the canvas “Based on the“ Head of Giuliano Medici ”by Michelangelo (1981) as his own artistic testament, where he combines the lyrical profile of the Renaissance hero and elements characteristic of Dali's own painting. A rocky landscape with strange characters and the effect of an optical perspective takes the viewer into another reality that opens behind the Medici image.

Dali dedicated a separate series to the famous Medici tomb - one of the main sculptural works of Michelangelo, thus reflecting on immortality for himself and Gala. When asked why the public never loses interest in Dalí's work, Monsé Ager replies: “For his combination of the traditional and the revolutionary, he went far beyond the bounds of art, largely thanks to his substantial knowledge of the history of art. For his ability to provoke the public, as well as for creating such a recognizable character. Now he has become a classic, like the masters of the past. " If the name of the greatest surrealist still remains for you synonymous with hypocrisy and swindle, maybe it's time to take a fresh look at his work through the master's appeal to the great classics? The era of surrealism is far behind, and although the name of Dali does not set auction records among artists of modernism, it does not leave the posters of museum exhibitions. Each new exposition brings closer to the opportunity to understand Dali - not terrible and great, but one that went beyond the limits of art and human life itself.