Rudnev dictionary of culture of the XX century. Vadim Rudnev - Dictionary of culture of the XX century
Rudnev Vadim
Dictionary of 20th century culture
Vadim Rudnev
Dictionary of 20th century culture
From the publisher
The 20th century and the second millennium with R.Kh. Replacing each other, the century was completely filled with "eras of change." It's time for humanity to take stock. A sign of this was the appearance of various kinds of "Chronicles ...", "Encyclopedias ...", "Dictionaries ..." and other reference and analytical publications in various fields of human activity. The book that you, dear reader, are holding in your hands is from this series. Its author, Vadim Rudnev, a linguist and philosopher, embodied in the "Dictionary..." his view of the culture of the twentieth century.
"Dictionary ..." compiled articles on the following areas of modern culture - philosophy, psychoanalysis, literature, semiotics, poetics and linguistics. The work on the "Dictionary ..." was not easy both at the stage of preparing the text and in developing the concept of building a book, which, in our deep conviction, should, first of all, be readable and useful as reference guide.
The "Dictionary of Culture of the 20th Century" is intended for a wide range of readers - from schoolchildren preparing to enter a humanitarian university to students and researchers who will find source study and bibliographic material in the book.
"Dictionary..." Vadim Rudnev, semiotician, linguist and philosopher, author of the monograph "Morphology of Reality" (1996), translator and compiler of the book "Winnie the Pooh and the Philosophy of Ordinary Language", which has become an intellectual bestseller, is a unique hypertext dictionary. The publication contains 140 articles devoted to the most relevant concepts and texts of the culture of the twentieth century. This publication continues a series of cultural reference dictionaries published by the Agraf publishing house.
In memory of my father
In the novel of the modern Serbian prose writer Milorad Pavic "The Khazar Dictionary" (hereinafter in all articles of our dictionary, if a word or phrase is in bold, this means that a separate article is devoted to this word or combination of words - with the exception of quotes), and so, Pavich's "Khazar Dictionary" tells the story of how one of the collectors of this mysterious dictionary, Dr. Abu Kabir Muawiyah, began to write from newspaper advertisements of bygone years and, most surprisingly, soon began to receive answers in the form of parcels with various things. Gradually, these things so filled his house that he did not know what to do with them. These were, as the author writes, "a huge camel saddle, a woman's dress with bells instead of buttons, an iron cage in which people are kept suspended from the ceiling, two mirrors, one of which was somewhat late, and the other was broken, an old manuscript on an unknown language [...].
A year later, the attic room was full of things, and one morning, entering it, Dr. Muawiyah was stunned to realize that everything he had acquired was beginning to add up to something that made sense.
Dr. Muawiyah sent a list of things for computer analysis, and the response that came back was that all these things were mentioned in the now lost Khazar Dictionary.
Once upon a time, one smart and talented person uttered two phrases in the same conversation: "Attend nothing to importance" and "Everything makes sense" (for the difference between the concepts of meaning and meaning, see the articles sign, meaning and logical semantics). He wanted to say that what is important is not what people say, but how and why they say it (that is, if we paraphrase this in terms of semiotics, it is not the semantics that are important for human communication, but the pragmatics of the statement).
I’ll add on my own (although this was invented long ago by the founders of psychoanalysis, Sigmund Freud and Carl Gustav Jung): if a word, by chance association, entails another word (see also parasematics about this), you should not brush aside the second word - it can help it is better to understand the meaning of the first word.
At first, the idea of a dictionary seemed impossible and as meaningless as the storage of things in the room of an Arab professor. But, remembering that "nothing should be given importance", while "everything has meaning", we included in the "Dictionary .. " those words and phrases that were understandable and interesting to us ourselves.
"Dictionary of Culture of the 20th Century" is a collection of three types of articles.
The first and most obvious type are articles devoted to specific cultural phenomena of the 20th century, such as modernism, transpersonal psychology, semiotics, conceptualism, etc.
Articles of the second type are devoted to concepts that existed in culture long before the twentieth century, but it was in it that they acquired particular relevance or were seriously rethought. These are such concepts as dream, text, event, existence, reality, body.
Finally, the third type of articles is small monographs devoted to the key, from the point of view of the author of the dictionary, works of art of the 20th century. The very appeal to these works is legitimate, but their choice may seem subjective. Why, for example, in the "Dictionary ..." there are no articles "Ulysses" or "In Search of Lost Time", but there are articles "Portrait of Dorivia Gray" or "Pygmalion"? We dare to note that this subjectivity is imaginary. For the dictionary, those texts were selected that better explained the concept of culture of the twentieth century, embodied in the dictionary. For example, an article about Oscar Wilde's novel "The Picture of Dorian Gray" is included as an illustration of the most important, in our opinion, topic of delimiting the time of text and reality as a particular manifestation of the fundamental cultural collision of the 20th century. - painful search for boundaries between text and reality.
An article about Bernard Shaw's play "Pygmalion" was included as an illustration of how the literary text is ahead of philosophical ideas - in his comedy, Shaw proclaimed that language plays the greatest importance in human life, which soon became the cornerstone of a vast philosophical direction called analytic philosophy ( see also logical positivism, language game).
The most important feature of the dictionary is that it is a hypertext, that is, it is built so that it can be read in two ways: alphabetically, and from article to article, paying attention to underlined words and phrases.
The dictionary deals mainly with the following areas of culture of the 20th century. Philosophy, psychoanalysis, linguistics, semiotics, poetics, versification and literature. Thus, this is a dictionary of humanitarian ideas of the 20th century.
Rudnev Vadim
Dictionary of 20th century culture
Vadim Rudnev
Dictionary of 20th century culture
Glory (yankos@dol.ru)
From the publisher
The 20th century and the second millennium with R.Kh. Replacing each other, the century was completely filled with "eras of change." It's time for humanity to take stock. A sign of this was the appearance of various kinds of "Chronicles ...", "Encyclopedias ...", "Dictionaries ..." and other reference and analytical publications in various fields of human activity. The book that you, dear reader, are holding in your hands is from this series. Its author, Vadim Rudnev, a linguist and philosopher, embodied in the "Dictionary..." his view of the culture of the twentieth century.
"Dictionary ..." compiled articles on the following areas of modern culture - philosophy, psychoanalysis, literature, semiotics, poetics and linguistics. The work on the "Dictionary..." was not easy both at the stage of preparing the text and in developing the concept of building a book, which, in our deep conviction, should, first of all, be readable and useful as a reference tool.
The "Dictionary of Culture of the 20th Century" is intended for a wide range of readers - from schoolchildren preparing to enter a humanitarian university to students and researchers who will find source study and bibliographic material in the book.
"Dictionary..." Vadim Rudnev, semiotician, linguist and philosopher, author of the monograph "Morphology of Reality" (1996), translator and compiler of the book "Winnie the Pooh and the Philosophy of Ordinary Language", which has become an intellectual bestseller, is a unique hypertext dictionary. The publication contains 140 articles devoted to the most relevant concepts and texts of the culture of the twentieth century. This publication continues a series of cultural reference dictionaries published by the Agraf publishing house.
In memory of my father
In the novel of the modern Serbian prose writer Milorad Pavic "The Khazar Dictionary" (hereinafter in all articles of our dictionary, if a word or phrase is in bold, this means that a separate article is devoted to this word or combination of words - with the exception of quotes), and so, Pavich's "Khazar Dictionary" tells the story of how one of the collectors of this mysterious dictionary, Dr. Abu Kabir Muawiyah, began to write from newspaper advertisements of bygone years and, most surprisingly, soon began to receive answers in the form of parcels with various things. Gradually, these things so filled his house that he did not know what to do with them. These were, as the author writes, "a huge camel saddle, a woman's dress with bells instead of buttons, an iron cage in which people are kept suspended from the ceiling, two mirrors, one of which was somewhat late, and the other was broken, an old manuscript on an unknown language [...].
A year later, the attic room was full of things, and one morning, entering it, Dr. Muawiyah was stunned to realize that everything he had acquired was beginning to add up to something that made sense.
Dr. Muawiyah sent a list of things for computer analysis, and the response that came back was that all these things were mentioned in the now lost Khazar Dictionary.
Once upon a time, one smart and talented person uttered two phrases in the same conversation: "Attend nothing to importance" and "Everything makes sense" (for the difference between the concepts of meaning and meaning, see the articles sign, meaning and logical semantics). He wanted to say that what is important is not what people say, but how and why they say it (that is, if we paraphrase this in terms of semiotics, it is not the semantics that are important for human communication, but the pragmatics of the statement).
I’ll add on my own (although this was invented long ago by the founders of psychoanalysis, Sigmund Freud and Carl Gustav Jung): if a word, by chance association, entails another word (see also parasematics about this), you should not brush aside the second word - it can help it is better to understand the meaning of the first word.
At first, the idea of a dictionary seemed impossible and as meaningless as the storage of things in the room of an Arab professor. But, remembering that "nothing should be given importance", while "everything has meaning", we included in the "Dictionary .. " those words and phrases that were understandable and interesting to us ourselves.
"Dictionary of Culture of the 20th Century" is a collection of three types of articles.
The first and most obvious type are articles devoted to specific cultural phenomena of the 20th century, such as modernism, transpersonal psychology, semiotics, conceptualism, etc.
Articles of the second type are devoted to concepts that existed in culture long before the twentieth century, but it was in it that they acquired particular relevance or were seriously rethought. These are such concepts as dream, text, event, existence, reality, body.
Finally, the third type of articles is small monographs devoted to the key, from the point of view of the author of the dictionary, works of art of the 20th century. The very appeal to these works is legitimate, but their choice may seem subjective. Why, for example, in the "Dictionary ..." there are no articles "Ulysses" or "In Search of Lost Time", but there are articles "Portrait of Dorivia Gray" or "Pygmalion"? We dare to note that this subjectivity is imaginary. For the dictionary, those texts were selected that better explained the concept of culture of the twentieth century, embodied in the dictionary. For example, an article about Oscar Wilde's novel "The Picture of Dorian Gray" is included as an illustration of the most important, in our opinion, topic of delimiting the time of text and reality as a particular manifestation of the fundamental cultural collision of the 20th century. - painful search for boundaries between text and reality.
An article about Bernard Shaw's play "Pygmalion" was included as an illustration of how the literary text is ahead of philosophical ideas - in his comedy, Shaw proclaimed that language plays the greatest importance in human life, which soon became the cornerstone of a vast philosophical direction called analytic philosophy ( see also logical positivism, language game).
The most important feature of the dictionary is that it is a hypertext, that is, it is built so that it can be read in two ways: alphabetically, and from article to article, paying attention to underlined words and phrases.
The dictionary deals mainly with the following areas of culture of the 20th century. Philosophy, psychoanalysis, linguistics, semiotics, poetics, versification and literature. Thus, this is a dictionary of humanitarian ideas of the 20th century.
References to dictionary entries are deliberately simplified. With rare exceptions, these are articles and books available to citizens of Russia and neighboring countries.
The dictionary is intended primarily for those who value everything that was interesting and significant in the past century.
Vadim Rudnev
011 Absolute idealism
012 Avant-garde art
014 Autocommunication
016 Acmeism
019 Accent verse
021 Analytical psychology
023 Analytical philosophy
027 Joke
029 Atomic fact
031 Autistic thinking
032 "Endless Dead End"
036 Unconscious
038 Binary Opposition
040 Biography
043 "Pale Fire"
047 Verificationism
048 Verlibre
052 Verlibration
053 virtual reality
055 "Magic Mountain"
063 Generative Linguistics
067 Generative Poetics
069 Hypertext
073 Hypothesis of linguistic relativity
077 Depression
079 Detective
081 Zen thinking
084 Dialog word
093 Dolnik
096 Credibility
098 "Castle"
102 "Mirror"
107 Altered state of consciousness
110 Proper name
112 Individual language
113 Intertext
119 Optimization
120 Truth
123 "As if" and "Really"
Rudnev Vadim Dictionary of 20th century culture
Vadim Rudnev
Vadim Rudnev
Dictionary of 20th century culture
Glory (yankos@dol.ru)
From the publisher
The 20th century and the second millennium with R.Kh. Replacing each other, the century was completely filled with "eras of change." It's time for humanity to take stock. A sign of this was the appearance of various kinds of "Chronicles ...", "Encyclopedias ...", "Dictionaries ..." and other reference and analytical publications in various fields of human activity. The book that you, dear reader, are holding in your hands is from this series. Its author, Vadim Rudnev, a linguist and philosopher, embodied in the "Dictionary..." his view of the culture of the twentieth century.
"Dictionary ..." compiled articles on the following areas of modern culture - philosophy, psychoanalysis, literature, semiotics, poetics and linguistics. The work on the "Dictionary..." was not easy both at the stage of preparing the text and in developing the concept of building a book, which, in our deep conviction, should, first of all, be readable and useful as a reference tool.
The "Dictionary of Culture of the 20th Century" is intended for a wide range of readers - from schoolchildren preparing to enter a humanitarian university to students and researchers who will find source study and bibliographic material in the book.
"Dictionary..." Vadim Rudnev, semiotician, linguist and philosopher, author of the monograph "Morphology of Reality" (1996), translator and compiler of the book "Winnie the Pooh and the Philosophy of Ordinary Language", which has become an intellectual bestseller, is a unique hypertext dictionary. The publication contains 140 articles devoted to the most relevant concepts and texts of the culture of the twentieth century. This publication continues a series of cultural reference dictionaries published by the Agraf publishing house.
In memory of my father
In the novel of the modern Serbian prose writer Milorad Pavic "The Khazar Dictionary" (hereinafter in all articles of our dictionary, if a word or phrase is in bold, this means that a separate article is devoted to this word or combination of words - with the exception of quotes), and so, Pavich's "Khazar Dictionary" tells the story of how one of the collectors of this mysterious dictionary, Dr. Abu Kabir Muawiyah, began to write from newspaper advertisements of bygone years and, most surprisingly, soon began to receive answers in the form of parcels with various things. Gradually, these things so filled his house that he did not know what to do with them. These were, as the author writes, "a huge camel saddle, a woman's dress with bells instead of buttons, an iron cage in which people are kept suspended from the ceiling, two mirrors, one of which was somewhat late, and the other was broken, an old manuscript on an unknown language [...].
A year later, the attic room was full of things, and one morning, entering it, Dr. Muawiyah was stunned to realize that everything he had acquired was beginning to add up to something that made sense.
Dr. Muawiyah sent a list of things for computer analysis, and the response that came back was that all these things were mentioned in the now lost Khazar Dictionary.
Once upon a time, one smart and talented person uttered two phrases in the same conversation: "Attend nothing to importance" and "Everything makes sense" (for the difference between the concepts of meaning and meaning, see the articles sign, meaning and logical semantics). He wanted to say that what is important is not what people say, but how and why they say it (that is, if we paraphrase this in terms of semiotics, it is not the semantics that are important for human communication, but the pragmatics of the statement).
I’ll add on my own (although this was invented long ago by the founders of psychoanalysis, Sigmund Freud and Carl Gustav Jung): if a word, by chance association, entails another word (see also parasematics about this), you should not brush aside the second word - it can help it is better to understand the meaning of the first word.
At first, the idea of a dictionary seemed impossible and as meaningless as the storage of things in the room of an Arab professor. But, remembering that "nothing should be given importance", while "everything has meaning", we included in the "Dictionary .. " those words and phrases that were understandable and interesting to us ourselves.
"Dictionary of Culture of the 20th Century" is a collection of three types of articles.
The first and most obvious type are articles devoted to specific cultural phenomena of the 20th century, such as modernism, transpersonal psychology, semiotics, conceptualism, etc.
Articles of the second type are devoted to concepts that existed in culture long before the twentieth century, but it was in it that they acquired particular relevance or were seriously rethought. These are such concepts as dream, text, event, existence, reality, body.
Finally, the third type of articles is small monographs devoted to the key, from the point of view of the author of the dictionary, works of art of the 20th century. The very appeal to these works is legitimate, but their choice may seem subjective. Why, for example, in the "Dictionary ..." there are no articles "Ulysses" or "In Search of Lost Time", but there are articles "Portrait of Dorivia Gray" or "Pygmalion"? We dare to note that this subjectivity is imaginary. For the dictionary, those texts were selected that better explained the concept of culture of the twentieth century, embodied in the dictionary. For example, an article about Oscar Wilde's novel "The Picture of Dorian Gray" is included as an illustration of the most important, in our opinion, topic of delimiting the time of text and reality as a particular manifestation of the fundamental cultural collision of the 20th century. - painful search for boundaries between text and reality.
An article about Bernard Shaw's play "Pygmalion" was included as an illustration of how the literary text is ahead of philosophical ideas - in his comedy, Shaw proclaimed that language plays the greatest importance in human life, which soon became the cornerstone of a vast philosophical direction called analytic philosophy ( see also logical positivism, language game).
The most important feature of the dictionary is that it is a hypertext, that is, it is built so that it can be read in two ways: alphabetically, and from article to article, paying attention to underlined words and phrases.
The dictionary deals mainly with the following areas of culture of the 20th century. Philosophy, psychoanalysis, linguistics, semiotics, poetics, versification and literature. Thus, this is a dictionary of humanitarian ideas of the 20th century.
References to dictionary entries are deliberately simplified. With rare exceptions, these are articles and books available to citizens of Russia and neighboring countries.
The dictionary is intended primarily for those who value everything that was interesting and significant in the past century.
Vadim Rudnev
011 Absolute idealism
012 Avant-garde art
014 Autocommunication
016 Acmeism
019 Accent verse
021 Analytical psychology
023 Analytical philosophy
027 Joke
029 Atomic fact
031 Autistic thinking
032 "Endless Dead End"
036 Unconscious
038 Binary Opposition
040 Biography
043 "Pale Fire"
047 Verificationism
048 Verlibre
052 Verlibration
053 Virtual Realities
055 "Magic Mountain"
063 Generative Linguistics
067 Generative Poetics
069 Hypertext
073 Hypothesis of linguistic relativity
077 Depression
079 Detective
081 Zen thinking
084 Dialog word
093 Dolnik
096 Credibility
098 "Castle"
102 "Mirror"
107 Altered state of consciousness
110 Proper name
112 Individual language
113 Intertext
119 Optimization
120 Truth
123 "As if" and "Really"
126 Carnivalization
127 Picture of the world
136 Inferiority complex
137 Conceptualism
142 Linguistics oral speech
145 Linguistic Apologetics
146 Linguistic Therapy
148 Logoedization
150 Boolean semantics
153 Logical positivism
155 Mass culture
159 The Master and Margarita
162 Mathematical logic
164 Medical research
167 Metalanguage
172 Multivalued logics
174 Modalities
177 Modernism
180 Motive analysis
182 Neurosis
184 Neomythological Consciousness
187 New Doctrine of Language
190 New novel
195 "Norma/Roman"
199 oberiu
203 "Orpheus"
205 Elimination
207 Paradigm
209 Parasemantics
211 "Pygmalion"
214 Polymetry
215 Polyphonic novel
218 The Picture of Dorian Gray
220 Postmodernism
225 Poststructuralism
227 Stream of consciousness
229 Pragmatism
231 Pragmatics
234 Complementarity principle
237 Principles of 20th century prose
241 Space
245 Psychoanalysis
250 Psychosis
252 Realism
255 Reality
260 Semantics of Possible Worlds
262 Semantic primitives
Rudnev Vadim
Dictionary of 20th century culture
Vadim Rudnev
Dictionary of 20th century culture
From the publisher
The 20th century and the second millennium with R.Kh. Replacing each other, the century was completely filled with "eras of change." It's time for humanity to take stock. A sign of this was the appearance of various kinds of "Chronicles ...", "Encyclopedias ...", "Dictionaries ..." and other reference and analytical publications in various fields of human activity. The book that you, dear reader, are holding in your hands is from this series. Its author, Vadim Rudnev, a linguist and philosopher, embodied in the "Dictionary..." his view of the culture of the twentieth century.
"Dictionary ..." compiled articles on the following areas of modern culture - philosophy, psychoanalysis, literature, semiotics, poetics and linguistics. The work on the "Dictionary..." was not easy both at the stage of preparing the text and in developing the concept of building a book, which, in our deep conviction, should, first of all, be readable and useful as a reference tool.
The "Dictionary of Culture of the 20th Century" is intended for a wide range of readers - from schoolchildren preparing to enter a humanitarian university to students and researchers who will find source study and bibliographic material in the book.
"Dictionary..." Vadim Rudnev, semiotician, linguist and philosopher, author of the monograph "Morphology of Reality" (1996), translator and compiler of the book "Winnie the Pooh and the Philosophy of Ordinary Language", which has become an intellectual bestseller, is a unique hypertext dictionary. The publication contains 140 articles devoted to the most relevant concepts and texts of the culture of the twentieth century. This publication continues a series of cultural reference dictionaries published by the Agraf publishing house.
In memory of my father
In the novel of the modern Serbian prose writer Milorad Pavic "The Khazar Dictionary" (hereinafter in all articles of our dictionary, if a word or phrase is in bold, this means that a separate article is devoted to this word or combination of words - with the exception of quotes), and so, Pavich's "Khazar Dictionary" tells the story of how one of the collectors of this mysterious dictionary, Dr. Abu Kabir Muawiyah, began to write from newspaper advertisements of bygone years and, most surprisingly, soon began to receive answers in the form of parcels with various things. Gradually, these things so filled his house that he did not know what to do with them. These were, as the author writes, "a huge camel saddle, a woman's dress with bells instead of buttons, an iron cage in which people are kept suspended from the ceiling, two mirrors, one of which was somewhat late, and the other was broken, an old manuscript on an unknown language [...].
A year later, the attic room was full of things, and one morning, entering it, Dr. Muawiyah was stunned to realize that everything he had acquired was beginning to add up to something that made sense.
Dr. Muawiyah sent a list of things for computer analysis, and the response that came back was that all these things were mentioned in the now lost Khazar Dictionary.
Once upon a time, one smart and talented person uttered two phrases in the same conversation: "Attend nothing to importance" and "Everything makes sense" (for the difference between the concepts of meaning and meaning, see the articles sign, meaning and logical semantics). He wanted to say that what is important is not what people say, but how and why they say it (that is, if we paraphrase this in terms of semiotics, it is not the semantics that are important for human communication, but the pragmatics of the statement).
I’ll add on my own (although this was invented long ago by the founders of psychoanalysis, Sigmund Freud and Carl Gustav Jung): if a word, by chance association, entails another word (see also parasematics about this), you should not brush aside the second word - it can help it is better to understand the meaning of the first word.
At first, the idea of a dictionary seemed impossible and as meaningless as the storage of things in the room of an Arab professor. But, remembering that "nothing should be given importance", while "everything has meaning", we included in the "Dictionary .. " those words and phrases that were understandable and interesting to us ourselves.
"Dictionary of Culture of the 20th Century" is a collection of three types of articles.
The first and most obvious type are articles devoted to specific cultural phenomena of the 20th century, such as modernism, transpersonal psychology, semiotics, conceptualism, etc.
Articles of the second type are devoted to concepts that existed in culture long before the twentieth century, but it was in it that they acquired particular relevance or were seriously rethought. These are such concepts as dream, text, event, existence, reality, body.
Finally, the third type of articles is small monographs devoted to the key, from the point of view of the author of the dictionary, works of art of the 20th century. The very appeal to these works is legitimate, but their choice may seem subjective. Why, for example, in the "Dictionary ..." there are no articles "Ulysses" or "In Search of Lost Time", but there are articles "Portrait of Dorivia Gray" or "Pygmalion"? We dare to note that this subjectivity is imaginary. For the dictionary, those texts were selected that better explained the concept of culture of the twentieth century, embodied in the dictionary. For example, an article about Oscar Wilde's novel "The Picture of Dorian Gray" is included as an illustration of the most important, in our opinion, topic of delimiting the time of text and reality as a particular manifestation of the fundamental cultural collision of the 20th century. - painful search for boundaries between text and reality.
An article about Bernard Shaw's play "Pygmalion" was included as an illustration of how the literary text is ahead of philosophical ideas - in his comedy, Shaw proclaimed that language plays the greatest importance in human life, which soon became the cornerstone of a vast philosophical direction called analytic philosophy ( see also logical positivism, language game).
The most important feature of the dictionary is that it is a hypertext, that is, it is built so that it can be read in two ways: alphabetically, and from article to article, paying attention to underlined words and phrases.
The dictionary deals mainly with the following areas of culture of the 20th century. Philosophy, psychoanalysis, linguistics, semiotics, poetics, versification and literature. Thus, this is a dictionary of humanitarian ideas of the 20th century.
References to dictionary entries are deliberately simplified. With rare exceptions, these are articles and books available to citizens of Russia and neighboring countries.
The dictionary is intended primarily for those who value everything that was interesting and significant in the past century.
Vadim Rudnev
011 Absolute idealism
012 Avant-garde art
014 Autocommunication
016 Acmeism
019 Accent verse
021 Analytical psychology
023 Analytical philosophy
027 Joke
029 Atomic fact
031 Autistic thinking
032 "Endless Dead End"
036 Unconscious
038 Binary Opposition
040 Biography
043 "Pale Fire"
047 Verificationism
048 Verlibre
052 Verlibration
053 Virtual Realities
055 "Magic Mountain"
063 Generative Linguistics
067 Generative Poetics
069 Hypertext
073 Hypothesis of linguistic relativity
077 Depression
079 Detective
081 Zen thinking
084 Dialog word
093 Dolnik
096 Credibility
098 "Castle"
102 "Mirror"
107 Altered state of consciousness
110 Proper name
112 Individual language
113 Intertext
119 Optimization
120 Truth
123 "As if" and "Really"
126 Carnivalization
127 Picture of the world
136 Inferiority complex
137 Conceptualism
142 Linguistics of oral speech
145 Linguistic Apologetics
146 Linguistic Therapy
148 Logoedization
150 Boolean semantics
153 Logical positivism
155 Popular culture
159 The Master and Margarita
162 Mathematical logic
164 Medical research
167 Metalanguage
172 Multivalued logics
174 Modalities
177 Modernism
180 Motive analysis
182 Neurosis
184 Neomythological Consciousness
187 New Doctrine of Language
190 New novel
195 "Norma/Roman"
199 oberiu
203 "Orpheus"
205 Elimination
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